Joshi Helee Mehul

IR2032

POETRY IN SPACES

Starting was with the representation of "Amdavaad ni Gufa".  Later we imitated the style of the artist " Gulaam Mohemmed Sheikh" in the corners of our homes at different time intervals. After that, a topography with an oneiric feeling which was to be represented in an A1 size frame, where I used two front-facing mirrors with a glacier in between, to show the feeling of infinity and vastness that I get when I  put myself in this topography.  Few corners of the spaces were then made keeping in mind the oneiric feeling. Last was the sectional perspective of the space.


Report Content

An imitation of the style of "Gulaam Mohemmed Sheikh" in the corner of my house at different time period.

A1 frame representing the Oneiric feeling of the frozen world. the idea was to show infinity and vastness, which was presented by putting two mirros facing each other and then adding a glaciers in between which are made of Thermocol. The representation of infinity and vastness, can be achieved when you look into the mirrors and see the reflections of glaciers through and through. The glaciers placed between the mirrors.

An A5 Zine with elements of Oneiric character. There is a specific memory or story behind every element.

An A5 Zine with elements of Oneiric character. There is a specific memory or story behind every element.

The architecture of a weaver bird's nest.

The reference images of the models that were made which were then traced and turned into spaces.

The corners of the space in the topography, with windows of different sizes, which shows the scale of the space.

The corner with smaller windows and botanical objects.

Images which are further zooming into the corners and looking at textures and detailed joinery.

The sectional perspective of the final space.