Loonia Khushi Sandeep

IR2028

Fictional Spaces

We started with changing our perception of the world through the eyes of a real, mythical and fictional character and a painter with their distinctive style with regards to their vision and/or adding a flair of their personality to the built environment. Through this, we started designing interior spaces as per certain architectural narratives. For the final project, we chose two movies and recontextualized the Indian epic Mahabharata--through a selected character's life--into that world by studying the stylization of the movie as well as understanding the basics about set designing. 


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Visualizing spaces through different creatures.

CEPT library in the style of Georges Seurat. Colour palette taken from "The Circus" by Seurat.

A city of waste. A city of lies. They live here pleased to be ignorant of all misery befallen unto those outside, to the one under our feet. They raise their walls high and miss the one greeting them from up above everyday, turning a blind eye to the reality. The solution they thought was for helping only turned out to be rose coloured plastic eyes, through which they only see the merit they achieved. Some owe it to greed and the others just to their gullibility.

Storyboard for Oz the Great and Powerful

Storyboard for The Nutcracker and the Four Realms.

Poster for Abhimanyu recontextualized in the world of The Nutcracker and the Four Realms

The nursery where Abhimanyu is watched over by Subhadra and Chandra, the moon god

The conservatory where Krishna teaches Abhimanyu Vedas.

The training Arena at Dwarks for Abhimianyu to hone his martial skills.

Gathering at Matsyaraja where Abhimanyu reunites with the Pandavas and marries Uttara.