Anamika Gupta

ID4000

CRAFT + FUTURE = STRUCTURAL SYSTEMS

Craft has evolved with the minimisation of a process for simplicity, honesty and its core function. It emerged with needs and limitations, but grew as innovation in materials. Today, craft is progressing as translation of traditional techniques in contemporary materials, yet, somehow is still limited to surface development, urging to transform into something more. How can craft do more? In a future of growing complexities, it has the potential to play a key role in bringing out the integrity of an interior space by innovating with materials and techniques to create an experience where simple craft techniques form the structural as well as non-structural systems enveloping the complete space. The project proposed is a craft school in Dilli Haat, where craftspeople coming from diverse regions can challenge their knowledge and skills by innovating on various craft techniques to form a design language for the contemporary needs, through the honesty and simplicity of craft. 
Name of the Project: Virya Kala Kendra Year: 2030 Site: Dilli Haat, New Delhi 

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Positioning of Craft in Contemporary Interior Practices

Prototyping Visionary ideas

Future vision and Deriving a theoretical position; Craft + Future = STRUCTURAL SYSTEMS

Virya Kala Kendra - Introduction to the project

VIRYA KALA KENDRA - Front Axonometric drawing

VIRYA KALA KENDRA - Sectional Perspective (Studio space)

VIRYA KALA KENDRA - Sectional Perspective (Metal and Textile Workshop)

VIRYA KALA KENDRA - Sectional Perspective (Wood and Clay Workshop)

VIRYA KALA KENDRA - Sectional Perspective (Studio space and Clay workshop)

VIRYA KALA KENDRA - Element Details and Material exploration