Siddhi Bihani

IR2028

FILMY DASTAN

Welcome to the world of filmmaking, where creativity knows no bounds. With each project, we take on new challenges, pushing our skills to the limit. We draw inspiration from the past, connect it to the present, and speculate about the future. From movie illustrations to visual boards, we bring our ideas to life, constantly expanding our visual styles and enhancing our digital skills. We delve into the stories of historical figures and fictional characters, creating sets that transport audiences to new worlds. It's a thrilling ride, but with each hurdle we cross, we reach new heights of creativity and artistic expression.

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Scene one from the movie Beyond Nature, where Sundarlal Bahugana is trying to save the trees from getting cut.

Scene two from the movie Beyond Nature, where Sundarlal Bahugana protesting against the construction of a dam in tehri and trying to warn people about the consequences.

Scene three from the movie Beyond Nature, where Sundarlal Bahugana goes to induatrials cities and takes a 4,800 km long foot march to aware people about the destruction of Tehri.

Scene four from the movie Beyond Nature, where Sundarlal Bahugana gives a live telecast interview for the awareness of the people for the situation Tehri the ecocity in India is going through and to support him before any other consequences to stop the destruction.

Scene five from the movie Beyond Nature, where Sundarlal Bahugana is resting in his room while he is on a strict fast for 74 days to showcase his rebel for the decision of the dam construction in Tehri to get more support.

This exercise was about understanding 2 sci-fiction movies and the style of their directors and understanding the camera angles used, shots taken, sets created, the production design etc. Also the narrative of the movie and the sequence it follows to keep the viewers engaged. Selection of Avatar and using as a visual reference for my own narrative and scenes.

The movie poster of Beyond Nature and collage about the character of Sundarlal Bahugana. He is a character which was perfectly relatable top the movie chosen for visual reference Avatar. As it is based on the saving of environment and the people of Pandora.

The experience of Mumbai collected in visuals by sketches and notes made in visual diary, also some glimpses of the learnings in the illustration of the Mumbai narrative.

Story about Kalpana Acharya and her perfect day when she is felicitated by the Excellence Award. A character collage about her hobbies and her likings.

Representation of ATMA in 2044,in style of Raja ravi varma and studying one of his paintings of Ganga bhishm, using its colour palette in ATMA representation